During a day long workshop, a large detail is constructed, made out of other details, which in turn are made out of other details. A collage of a collage of a collage. A copy of a copy of a copy. The Cadavre Exquis is here used as a pedagogical tool, ultimately looking at architecture as a work of fiction that is in turn composed of other fictions.
A singular image, retaining the resolution of a detail both locally and globally, is produced of a strange machine churning out gardens through processes that are at times humorous, at times absurd.